[leaves cullen on virmire]
IMAGINE ME SILENTLY PANTOMIMING BACKING AWAY FROM THE INTERNET FOR THE LAST 12 MONTHS
"my son," i say fondly to a 500lb krogan wielding a shotgun bigger than my head. "my beautiful son."
ugh, like there is LITERALLY no canonical evidence for the ~han solo: space womanizer~ head canon. like, when he first meets the ONE female character in the entire series that he interacts with he is GROUCHY and SHOUTY at her, not sauve and dashing. she thinks he is a tool and tells him this multiple times. not really smooth and charming.
he then takes to following her around on Hoth and practically pulling her pigtails asking ” DO YOU LIKE ME? YES/NO? (PLS SAY YES)” with hearts in his eyes. (Chewie probably had to throw out like a HALF DOZEN old notebooks that were filled with awful power ballads/poetry/odes to her and “Mr. Han Organa” written in different fonts)
when it comes to the iconic ‘i know’ in response to Leia’s proclamation of love, Ford has stated that it’s out of PURE CONCERN for HER FEELINGS (“the point is that I’m not worried about myself anymore, I’m worried about her” - DIRECT QUOTE), it was NOT a ‘boss’ move or ‘so swagtastic it hurts’ it was an apology that he couldn’t be there for her, it was an attempt to make her smile, to make it hurt less than if he had said the words too and then was forced to leave her. (not that he would have been much help; remember that han solo spends the majority of the 3rd film mostly blind and feeble, unable to take care of himself and generally getting in the way while Leia Gets Shit Done)
when he does say the words, it’s with the most adoring and awestruck expression. those words are fused with more than just love and respect. he’s almost HONOURED that he gets to love this badass babe and that she allows him to exist in her orbit.
AND THEN he loves Leia so much that he’s willing to step aside so she can be happy with the man he believes she wants. and valuing a woman’s choices and feelings over your own is not exactly womanizing behaviour - so where did this headcanon come from??
#THANK BABY JESUS FOR THIS POST#i am so fucking sick of nerd dudes taking every admirable or cool male character and saying#HE MUST BE DROWNING IN LADIES#SO SMOOTH#RICO SUAVE#TOO COOL TO CARE ABOUT LADY FEELINGS#like literally fuck all the way off#these characters are canonically awesome and cool and smart and heroic#AND SWEETHEARTS TO THE WOMEN THEY FALL FOR#lookin @ u jim kirk#lookin @ u john sheppard#staring directly into ur eyes han solo
This is kind of fascinating - it’s like a game of telephone. I don’t play “Golden Boy” because it sort of just doesn’t really fit into the set, usually - it feels like, you know, like let’s say we’re all sitting around sharing stories about times we were in really bad shape, and there’s funny parts to the stories but they’ve also got some real dark depths, we’re really having the sort of conversation that makes you feel like conversation is an essential human activity maybe higher than the arts or science or whatever…and then one guy says “Hey, did you guys see that quiz Jane shared on Facebook, ‘Which Famous Nihilist or Member of One Direction Are You?’” and everybody’s like dude, yes, hilarious, kinda not now, also you’re talking about Facebook in conversation.
That’s “Golden Boy.” “Golden Boy” in the live set is the guy talking about Facebook instead of participating in the conversation. I dig “Golden Boy” on the compilation it was issued on and on the comp-of-comps it was reissued on, but it generally doesn’t belong in the live set. I think I last played it in…2012? Not that long ago. Same basic deal with most of the “funny” songs, for me playing live is trying to build a house in real time. No funny angles on the doors, I want everybody inside the house by the time I’m done so we can all get scared in the dark together.
Songs that actually reach me emotionally, those are all fair game, sometimes I try to hold ‘em back a little so they won’t lose their sting for me because those kinds of songs work best when they feel freshest to me.